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About Valerie Block

Novelist and observer of the news, ancient and not

Arriving late to a classical education

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“Untitled,” 1980, by Jannis Kounellis, at the Smithsonian’s Hirschhorn Museum and Sculpture Garden, Washington DC. Photo from Tumblr.

Seneca on Saturday: procrastinate later

academic-writing-scrollsEpistle LXXII. On business as the enemy of philosophy

For there is never a moment when fresh employments will not come along; we sow them, and for this reason several spring up from one. Then, too, we keep adjourning our own cases, saying “as soon as I am done with this, I shall settle down to hard work,” or: “If I ever set this troublesome matter in order, I shall devote myself to study”

But the study of philosophy is not to be postponed until you have leisure; everything else is to be neglected in order that we may attend to philosophy, for no amount of time is long enough for it… We must resist the affairs which occupy our time; they must not be untangled, but rather put out of the way. Indeed, there is no time that is unsuitable for helpful studies; and yet many a man fails to study amid the very circumstances which make study necessary.

Seneca Epistles 66-92, Translation by Richard Gummere. Loeb Classical Library.

Seneca on Saturday: when the mind needs to be unrolled and examined

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Epistle LXXII. On business as the enemy of philosophy

The subject concerning which you question me was once clear to my mind, and required no thought, so thoroughly had I mastered it. But I have not tested my memory of it for some time, and therefore it does not readily come back to me. I feel that I have suffered  the fate of a book whose rolls have stuck together by disuse; my mind needs to be unrolled, and whatever has been stored away there ought to be examined from time to time, so that it may be ready for use when occasion demands. Let us therefore put this subject off for the present; for it demands much labour and much care. As soon as I can hope to stay for any length of time in the same place, I shall then take your question in hand. For there are certain subjects about which you can write even while traveling in a gig, and there are also subjects which need a study-chair, and quiet, and seclusion.

Seneca Epistles 66-92, Translation by Richard Gummere. Loeb Classical Library.

Method and Motivation: the moral of the story

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As a thinking person, I really do dislike being manipulated by stories. It’s one of my main beefs against Disney. As a mother on stage at bedtime, however, I frequently find myself violating all my own higher standards of storytelling. Like many parents, I am exhausted, impatient and creatively challenged at bedtime, so if I do take the time to create a story, I fling myself onto that moral like a life raft. It just comes out of me, and I am appalled at myself.

I created a whole series of tales featuring Shasta, a young pony with a knack for getting into trouble. The jewel in the crown of this franchise was “Baby Pony Shas and the Unexpected Ring of Fire,” which tells how Baby Pony Shas was playing in the living room one morning when his mother was on the phone, for work, in the kitchen. Suddenly, the intoxicating smell of wood smoke beckoned him and, despite his mother’s warning to stay inside and to not –under any circumstances!– open the door or leave the house, Baby Pony Shas found himself doing just that, and following the lovely smell down streets lined with beautiful trees turning amazing shades of orange, yellow and red, to Mountainside Park, where there was a bonfire going, which felt really nice in the cool October air, and then suddenly, suddenly! Baby Pony Shas was surrounded by a ring of flames leaping ten feet high!

I will not insult you by giving you the moral of that story. (But it ends with Baby Pony Shas safely at home, deeply penitent.) As a writer, as a reader, I have nothing but disdain for manipulation and formulas. But as a parent, I need all the help I can get. What about you? Do you tell your own stories with morals, or gravitate to “The Boy Who Cried Wolf ” at bedtime?

 

May Word of Mouth

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Cultural Analysis: La Bella Figura: A Field Guide to the Italian Mind — Beppe Severgnini

Fiction: Dear Committee Members — Julie Schumacher

Non-fiction: How To Age (The School of Life) — Anne Karpf

Documentary: When Two Worlds Collide — Heidi Brandenburg and Matthew Orzel

Movie: Sing Street — John Carney

Music: Bonfires on the Heath — the Clientele.

Not-So-Ancient Inspiration: “If you never encounter anything in your community that offends you, then you are not living in a free society.” — Kim Campbell

Deity of the Month: Flora

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Primavera, by Sandro Botticelli, c. 1477–82; in the Uffizi Gallery, Florence.

 

 

 

 

 

 

 

 

Flora was the ancient Roman goddess of flowers. Her story is chronicled in Ovid’s Fasti, Book V, when a nymph, Chloris, was kissed by the West Wind, Zephyrus, and was turned into Flora. This myth is the subject of Sandro Botticelli’s Primavera, above; Flora is the one decked in flowers, third from the right. Flora had her own festival, the Floralia, which was celebrated from April 27 to May 3 with dances, games and theatrical performances that were often lewd farces. It was considered good luck to joyfully welcome the onset of spring by offering the goddess milk and honey. Flowers decked both public and private buildings, and people wore wreaths around their necks and flowers in their hair. According to Ovid, Flora played the pivotal role in Juno’s immaculate conception of Apollo, by giving her a magic flower.

Image: Scala/Art Resource, New York.