The Emperor inflates his charisma

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“The survival of an autocracy depends on the visible exercise of power by the autocrat himself; a democracy may be run by an abstract administrative entity (though even here figureheads are required), but an autocrat has to be seen to be actively in charge. Hence it is particularly important for him to embody the authority of the supreme purveyor of justice. A correlation has been made between the increasingly harsh penalties under the Empire and the absolutist trend in Roman government; so too the emperor is free to devise ingenious methods of ridding his empire of undesirable elements, inflating his charisma by the reincarnation of myth.”

From “Fatal Charades: Roman Executions Staged as Mythological Enactments,” by K.M. Coleman. In the Journal of Roman Studies, Volume 80, 1990.

Legitimate objects of violence

Pollice Verso (With a turned thumb), painting by Jean-Leon Gerome.

“Pollice Verso (with a turned thumb),” 1872 painting by Jean-Leon Gerome. In the Phoenix Art Museum. Photo from Wikimedia commons.

 

“Modern scholars have long pondered how civilized Romans could condone and even enjoy, make sport of, watching hundreds and even thousands of humans and animals being killed in elaborate public spectacles. Yet violence was omnipresent in Roman society and history. From animal sacrifice and slaughter to the disciplining of slaves and children to the brutalities of ancient warfare, the Romans had long grown accustomed to regarding creatures of lowly status, others and outsiders without reason or rights, as legitimate objects of violence.”

From Spectacles of Death in Ancient Rome, by Donald G. Kyle.

Seneca on Saturday — on effective punishment

Amphitheater Mosaic, from Villa di Dar Buc Amméra at Zliten, in the Archaeological Museum of Tripoli.

Gladiator Mosaic, from Villa di Dar Buc Amméra at Zliten, in the Archaeological Museum of Tripoli. Photo from Livius.org.

Severity is the best corrective, but loses its efficacy by over-use.

On Clemency. From Seneca’s Moral Essays. Translated by John W. Basore. The Loeb Classical Library. London: W. Heinemann, 1928-1935. 3 vols.: Volume I.

July Word of Mouth

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Music: Guilt By Association Volume IV: 1966 — Various artists

 

Creativity: The Path of Least Resistance — Robert Fritz

 

TV: Grantchester — Daisy Coulam

 

 

Not-So-Ancient Inspiration: “The ultimate weakness of violence is that it is a descending spiral, begetting the very thing it seeks to destroy. Instead of diminishing evil, it multiplies it. Through violence you may murder the liar, but you cannot murder the lie, nor establish the truth. Through violence you may murder the hater, but you do not murder hate. In fact, violence merely increases hate. So it goes. Returning violence for violence multiplies violence, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.”

Martin Luther King, Jr., from Where Do We Go From Here: Chaos or Community?, with thanks to Rene for the reference.

 

 

 

Deity of the month: Neptune

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Mosaic of Neptune in his sea-horse drawn chariot, mid 3rd century CE, from the Sousse Archeological Museum, Tunisia.

 

The management of water was critical in the heat of July, and was dependent on Neptune,   the Roman god of fresh water and the seas, who also protected drilling operations and wells. Neptune was identified with the Greek god Poseidon, and following the Greek tradition, his brothers were Jupiter and Pluto. He was often depicted with horses. A major festival, the Neptunalia, was held in his honor on July 23rd.  According to the 5th century writer Ambrosius Theodosius Macrobius, Neptune was one of only three deities to whom it was appropriate to sacrifice a bull. The other two were Apollo and Mars.

Adapted from Handbook to Life in Ancient Rome, by Lesley Adkins and Roy A. Adkins, and The Gods of Ancient Rome, by Robert Turcan.

Seneca on Saturday — life is like a bathing establishment

Mosaic from Villa Casale, Piazza Armerina, Sicily, 3rd century. Image from Greek and Roman Mosaics,

Women playing ball. Mosaic from the Villa Romana del Casale, in Piazza Armerina, Sicily, 4th century CE. Image from Greek and Roman Mosaics, by Umberto Pappalardo and Rosario Ciardello.

 

 

CVII. On obedience to the universal will

Where is that common sense of yours? …Have you come to be tormented by a trifle?… None of these things is unusual or unexpected. It is as nonsensical to be put out by such events as it is to complain of being spattered in the street or at getting befouled in the mud. The program of life is the same as that of a bathing establishment, a crowd, or a journey: sometimes things will be thrown at you, and sometimes they will strike you by accident. Life is not a dainty business. You have started on a long journey; you are bound to slip, collide, fall, become weary, and cry out: “O for Death!” –or in other words, tell lies. At one stage you will leave a comrade behind you, at another you will bury someone, at another you will be apprehensive. It is amid stumbling of this sort that you must travel out this rugged journey.

Seneca Epistles 93-124, Translation by Richard Gummere. Loeb Classical Library.