Some thoughts on history:

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Sieve from Coffin House, Newbury Massachusetts. Unknown maker. Image credit: Historic New England.

“Those outside the academy tend to think of history as settled, as a simple recounting of what events happened on what date and who was involved in those incidents. But while history is what happened, it is also, just as important, how we think about what happened and what we unearth and choose to remember about what happened.”

— Nikole Hannah-Jones: The 1619 Project: A New Origin Story

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“History is not the past. It’s the method we’ve evolved of organizing our ignorance of the past…. It’s the record of what’s left on the record… It’s what’s left in the sieve when the centuries have run through it…. It’s no more the past than a birth certificate is a birth, or a script is a performance, or a map is a journey…. It’s no more than the best we can do. And often, it falls short of that.”

— Hilary Mantel, quoted in On the Media: How Historical Novels Can Help Us Remember

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“The common denominator of so many of the strange and troubling cultural narratives coming our way is a set of assumptions about who matters, whose story it is, who deserves the pity and the treats and the presumptions of innocence, the kid gloves and the red carpet, and ultimately the kingdom, the power, and the glory. You already know who. It’s white people in general and white men in particular, and especially white Protestant men, some of whom are apparently dismayed to find out that there is going to be, as your mom might have put it, sharing. The history of this country has been written as their story, and the news sometimes still tells it this way—one of the battles of our time is about who the story is about, who matters and who decides.”

— Rebecca Solnit: “Whose Story (and Country) Is This? On the Myth of a ‘Real’ America”

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“[U]nderstanding history as a form of inquiry—not as something easy or comforting but as something demanding and exhausting—was central to the nation’s founding. This, too, was new. In the West, the oldest stories, the Iliad and the Odyssey, are odes and tales of wars and kings, of men and gods, sung and told. These stories were memorials, and so were the histories of antiquity: they were meant as monuments….

“Only by fits and starts did history become not merely a form of memory but also a form of investigation, to be disputed, like philosophy, its premises questioned, its evidence examined, its arguments countered….

“This new understanding of the past attempted to divide history from faith. The books of world religions—the Hebrew Bible, the New Testament, and the Quran—are pregnant with mysteries, truths known only by God, taken on faith. In the new history books, historians aimed to solve mysteries and to discover their own truths. The turn from reverence to inquiry, from mystery to history, was crucial to the founding of the United States. It didn’t require abdicating faith in the truths of revealed religion and it relieved no one of the obligation to judge right from wrong. But it did require subjecting the past to skepticism, to look to beginnings not to justify ends, but to question them—with evidence.

— Jill Lepore: These Truths: A History of the United States

Word of Mouth: Early Spring

Featured

Movie: The Swimmers — Sally El Hosaini

TV: Bad Sisters — Brett Baer, Dave Finkel, Sharon Horgan

TV: Gut Job — Sebastian Clovis

Change: White Women: Everything You Already Know About Your Own Racism and How to Do Better — Regina Jackson and Saira Rao

Novel: Notes on Your Sudden Disappearance — Alison Espach

Novel: City Under One Roof — Iris Yamashita

Novel: Follow Me — Kathleen Barber

Novel: The Great Man Theory — Teddy Wayne

WORD OF MOUTH: Early Winter Edition

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Novel: Take My Hand — Dolen Perkins-Valdez

Novel: The Work Wife — Alison B. Hart

History: Polio: An American Story — David M. Oshinsky

Middle Grade Novel: Merci Suarez Changes Gears— Meg Medina

Podcast: Ask a Librarian, With Julie Chavez: Translating Ways of Being, with Meg Medina and Alexis Romay.

Anthology: Home in Florida: Latinx Writers and the Literature of Uprootedness — Anjanette Delgado

TV: My Crazy Ex-Girlfriend — Rachel Bloom, Aline Brosh McKenna

Movie: Vengeance — B.J. Novak

Music: Tinta y Tiempo — Jorge Drexler

WORD OF MOUTH — FALL

Novel: DEATH UNDER THE PERSEIDS — Teresa Dovalpage

Non-fiction: THE SCIENTIST AND THE SPY: A TRUE STORY OF CHINA, THE FBI AND INDUSTRIAL ESPIONAGE — Mara Hvistendahl

Resource: Ask the Trace: Are Militias Legal? — Jennifer Mascia, THE TRACE

Essay: Elizabeth McCracken Traces the Life of a First Edition: Her Own — Elizabeth McCracken, LITHUB

Opinion: Oh how the powerful wail and whine — Robin Givhan, THE WASHINGTON POST

Opinion: Trump should fill Christians with rage. How come he doesn’t? — Michael Gerson, THE WASHINGTON POST

TV: PAPER GIRLS – Stephany Folsom

TV: A LEAGUE OF THEIR OWN – Will Graham, Abbi Jacobson

Podcast: Migrant relocations echo a dark past: Reverse Freedom Rides, CODE SWITCH

Podcast: Putin’s Nukes (with Julia Ioffe), STAY TUNED WITH PREET

BEST OF 2021

NON-FICTION: The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together — Heather McGhee

FICTION: Gold Diggers — Sanjena Sathian

FICTION: Impostor Syndrome — Kathy Wang

MEMOIR: Beautiful Country — Xian Julie Wang

ESSAYS: People Love Dead Jews — Dara Horn

DOCUMENTARY: A Thousand Cuts — Ramona S. Diaz

MOVIE: Plus One —Jeff Chan, Andrew Rhymer

MOVIE: Rocks — Sarah Gavron

MUSIC: An Evening with Silk Sonic — Bruno Mars, Anderson.Paak

TV: Taste the Nation — Padma Lakshmi

PODCAST: The Story of America’s Founding You Weren’t Taught in School: Jamelle Bouie interviews Woody Holton on The Ezra Klein Show

Late October Word of Mouth

 

Essays: The Book of Delights — Ross Gay

Fiction: The Farm — Tom Rob Smith

Middle-grade novel: Merci Suárez Changes Gears — Meg Medina

Podcast: Cautionary Tales — Tim Harford, “The Rogue Dressed as a Captain.”

Not-so-ancient wisdom:

The routines of journalists are based on assumptions of how candidates will behave and Trump violates all those assumptions. And so the routines break, and the practices break, and they don’t want to reinvent their routines, so they sort of keep on with the tools that they have, and they don’t apply to Donald Trump. And one of the best examples of that is the whole notion of a gaffe — a candidate lets something really damaging slip from his or her tongue, and it becomes a controversy and distracts from what the candidate is trying to accomplish. The entire presidency of Donald Trump is a gaffe. It’s a twenty times a day gaffe, and so to even use that term with Biden —which the campaign press did earlier in the year, talking about his gaffes— is kind of crazy there’s something lunatic about it. But it’s an example of clinging to your practices after the premises underneath them have fallen through.

Jay Rosen, from the podcast, On the Media, “Emergency Mode”