Method and Motivation: the moral of the story

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As a thinking person, I really do dislike being manipulated by stories. It’s one of my main beefs against Disney. As a mother on stage at bedtime, however, I frequently find myself violating all my own higher standards of storytelling. Like many parents, I am exhausted, impatient and creatively challenged at bedtime, so if I do take the time to create a story, I fling myself onto that moral like a life raft. It just comes out of me, and I am appalled at myself.

I created a whole series of tales featuring Shasta, a young pony with a knack for getting into trouble. The jewel in the crown of this franchise was “Baby Pony Shas and the Unexpected Ring of Fire,” which tells how Baby Pony Shas was playing in the living room one morning when his mother was on the phone, for work, in the kitchen. Suddenly, the intoxicating smell of wood smoke beckoned him and, despite his mother’s warning to stay inside and to not –under any circumstances!– open the door or leave the house, Baby Pony Shas found himself doing just that, and following the lovely smell down streets lined with beautiful trees turning amazing shades of orange, yellow and red, to Mountainside Park, where there was a bonfire going, which felt really nice in the cool October air, and then suddenly, suddenly! Baby Pony Shas was surrounded by a ring of flames leaping ten feet high!

I will not insult you by giving you the moral of that story. (But it ends with Baby Pony Shas safely at home, deeply penitent.) As a writer, as a reader, I have nothing but disdain for manipulation and formulas. But as a parent, I need all the help I can get. What about you? Do you tell your own stories with morals, or gravitate to “The Boy Who Cried Wolf ” at bedtime?

 

May Word of Mouth

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Cultural Analysis: La Bella Figura: A Field Guide to the Italian MindBeppe Severgnini

Fiction: Dear Committee MembersJulie Schumacher

Non-fiction: How To Age (The School of Life)Anne Karpf

Documentary: When Two Worlds Collide — Heidi Brandenburg and Matthew Orzel

Movie: Sing Street — John Carney

Music: Bonfires on the Heath — the Clientele.

Not-So-Ancient Inspiration: If you never encounter anything in your community that offends you, then you are not living in a free society.” — Kim Campbell

April Word of Mouth

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Fiction: The Good Thief Hannah Tinti

Non-fiction: Jihad Academy: The Rise of Islamic State  Nicolas Hénin

Memoir: All Who Go Do Not ReturnShulem Deen

History: Caligula: the Corruption of Power — Anthony A. Barrett

Movie: Eye in the Sky — Gavin Hood

TV: The GameToby Whithouse, BBC

 

 

Not-So-Ancient Inspiration: “The enemy is a very good teacher.” — the Dalai Lama

 

 

Advice for writers

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Image from Pixabay.

 

 

 

 

 

 

 

 

 

“If you are a creative worker, remember that time spent in finding an independent technique is seldom wasted. We are accustomed to think of the success of a man like Joseph Conrad, a Pole, in writing the English language, or of the work of an electrical genius like Steinmetz, as savoring of the miraculous. To have had to work out their problems alone — what a tremendous obstacle to overcome! On the contrary; the necessity for independent action was one of the conditions of their success, and to see and admit this is in no way to detract from the worth of their accomplishment.”

— Dorothea Brande, Wake Up and Live!

Wake Up and Live! is an impatient, dyspeptic self-help guide from 1936 on how to overcome the fear of failure. You can skip right past Brande’s descriptions of the many different kinds of failure, and get right to the how to overcome it part. In a nutshell, her slogan is, “Act as if it were impossible to fail.” This is good advice for any enterprise, writing especially.

Good advice can sometimes come from not such great sources: Brande, who also wrote the perennially popular  Becoming a Writer, has recently been outed for elitism, anti-Modernism, anti-Semitism and fascist sympathies. Read this fascinating piece by cultural historian Joanna Scutts about how successful self-help authors, like Brande, Napoleon Hill and Dale Carnegie, “worked to convince readers that they could take power into their own hands, which were not tied by economic circumstances or political realities. That the genre experienced a boom during the politically turbulent 1930s was not a coincidence, but rather a consequence, of that turbulence.” 

And then act as if it were impossible to fail.

March Word of Mouth

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Music: What It Is: Funky Soul and Rare Grooves (1967-1977), from the Vaults of Atlantic, Atco and Warner Bros. Records. Various artists.

Comedy:  No Can Defend — Gary Gulman

Memoir: Year of YesShonda Rhimes

Writing: The Forest for the Trees: an Editor’s Advice to Writers Betsy Lerner

Essays: 100 Essays I Don’t Have Time To Write: on Umbrellas and Sword Fights, Parades and Dogs, Fire Alarms, Children and Theater — Sarah Ruhl

Movie: Crouching Tiger, Hidden Dragon: Sword of Destiny — Yuen Woo-Ping. Netflix.

Not-So-Ancient Inspiration: “Nothing is so fatiguing as the eternal hanging on of an uncompleted task.” — William James

 

February Word of Mouth

 

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Graphic Novel: Dragons BewareJorge Aguirre and Rafael Rosado

Fiction: Capital: a Novel  — John Lanchester

Memoir: I See You Made an Effort  — Annabelle Gurwitch

Non-Fiction: The 48 Laws of Power  — Robert Greene 

Music: Bossa Nova Soul SambaIke Quebec 

 

TV: Annika Bengtzon, Crime Reporter Amazon video.

Ancient Inspiration: “If you’re irritable, man, train yourself to put up with abuse, and not get upset when you’re insulted.” Epictetus, Discourses.